The look of the Body Jewelry that you get now changed a lot then the look of the jewelry that you used to get in past. This type of jewelry you can wear with any type of dress so that you look very beautiful in it. The design of most of this type of jewelry also changed a lot. In these days the demand of this type of jewelry also changed a lot. This type of jewelry is worn in some specific part of the body. After a part of the body is pierced you can wear the jewelry is worn in it. The body jewelry is designed based on the age of the people who is going to wear it. If this type of jewelry is to be worn by a teenager then the look of the jewelry will be more trendy and stylish and it will be colorful too. If this type of jewelry is worn by an aged people or middle aged people then this type of jewelry comes in a sober design. In the earlier days this type of jewelry was worn by the people because of some religious belief or to show their culture. This type of rose gold body piercing jewelry is mostly in use because of the look and design of the jewelry. The body jewelry is worn the people for different type of purpose also. But some of the ladies or women prefer not only to wear this type of jewelry on some special occasion rather they wear it as a regular wear too.
"Lost" Petroglyphs Rediscovered at Virgin Islands National Park | CUBA ARQUEOLÓGICA

"Lost" Petroglyphs Rediscovered at Virgin Islands National Park

"Lost" Petroglyphs Rediscovered at Virgin Islands National Park

Ken Wild knew that somewhere in Virgin Islands National Park's tangle of mango, lime, and tamarind trees, intertwined with various palm species and thick, cloaking pockets of Sansevieria, was an ancient carving in rock. An old roll of film confirmed as much.

But where?

The images, taken from the roll that had itself gotten overlooked for an unknown period of time -- in the park's archives, not within its lush tropical forests -- included some of the well-known Taino carvings in a rock above a pool of water along the Reef Bay Trail. But then there was the other curious image, one without any water in sight and with a different, vertical, orientation of rock palette.

Several times Mr. Wild, the park's archaeologist, had searched on his own for the missing petroglyph without success. Then in late January he recruited a group of volunteers from Friends of Virgin Islands National Park to help with the hunt and they all set off down the Reef Bay Trail for the Taino petroglyphs, which would serve as the starting point.

"Ken explained to our group that he’d looked for this several times but had been unsuccessful. He hoped that our group hunt would lend him many extra pairs of eyes to scour the site," Sue Borger, who along with her husband, Darrell, had been coming to the park for a decade, noted in a piece she wrote for the friends group.


A "missing" petroglyph, one whose existence was known due to an overlooked roll of film, has been rediscovered at Virgin Islands National Park along the Reef Bay Trail. Top photo shows the "lost" petroglyph, the middle shot is of the well-known Taino petroglyphs mirrored in a small pool of water along the trail, and the bottom photo a close-up of petroglyphs found in the park. NPS photos.


"Finding proof of these ancient markings would be evidence of much earlier visits of the Native Americans, perhaps as much as 500 years earlier to a date of 1 AD. He handed out photocopies of the film to each of us to study and after a brief lunch break and informational lecture about Taino history, we spread out across the treacherous rocks, photocopies in hand."

The approach Mrs. Borger took in searching for the "lost" petroglyph was to look for unusual rock formations, as the photo clearly showed the vertical orientation of the rocks bearing the carving.

"It was evident that the carvings were not over water, but inscribed on rougher stone with obvious, slanted fissures. Turning around with my back to the pool, I scanned the rocks, looking for the distinctive tilt in the fissures," she recounted. "I could hardly believe it, but those rocks were right in front of me! I called to Ken and began to pull away the Sansevieria. 'Darrell,' I said, 'these are the rocks!'

"Darrell spotted the petroglyphs and yelled, 'Here it is! We’ve got it!' Great excitement and high-fives followed the discovery, after which we all posed for pictures."

In an email to the Traveler, Mr. Wild said "(E)vidence that the petroglyphs were carved by the Taino Indians has been strongly supported through the designs found on pottery at the Cinnamon Bay and Trunk Bay archaeology excavation along with correlating radiocarbon dates." While he said discovering the missing petroglyph was exciting in its own right, he added that "it also has significant implications regarding Reef Bay and the history of St. John:

* The design of the recently documented petroglyph is similarly found painted on the oldest dated pottery style in the islands. The style known as Saladoid pottery has been dated between 100 BC – 500 AD. This means that the people that were coming to the area of the Reef Bay petroglyphs were utilizing this site for a lot longer than we once thought, possibly a thousand years more. And the carving could be potentially 2,500 years old.

* This finding strongly supports continuity in ritual places as cultural beliefs shifted towards a Classic Taino society. In essence the carving represents at least 1,500 years of people coming to a single place that they felt was sacred. It really emphasizes the significance that Reef Bay had to the people who lived here prior to the European colonization of the islands.

* This style of carving is also found down island, in St. Lucia and even as far as Venezuela, further confirming the route of those who came to live in St. John possibly going back to the 4th century BC. This also exemplifies how far people traveled and how widely spread their cultural beliefs and ties extended throughout the Caribbean.

"In short," the archaeologist said, "this find is new to us and we know we have some research to do. It raises more questions, but we understand enough to know that this is a unique find and that is very exciting."


Premio WEB

Theme by Danetsoft and Danang Probo Sayekti inspired by Maksimer